Big Fish Theory cements Staples' status as one of the most talented and forward-thinking voices in rap in the late 2010s. On an album of thrilling highlights, it's worth the price of admission alone. A "Humble"-sized beast that condenses Prima Donna's ethos into a single song, "BagBak" is a lyrically dense powerhouse that aims a fist directly at the intolerant and troubled state of America in 2017. "Party People" is a propulsive standout, but it's lead single "BagBak" that remains king on Theory. "Homage" rides an anxiety-ridden, Radiohead-esque landscape with the help of Kish and Rick Ross, while the twisted "Samo" returns SOPHIE to the fold with A$AP Rocky. The latter half of the album is equally unrelenting. Meanwhile, "Yeah Right" is a potent double-team effort that recruits Kendrick Lamar on a booming echo chamber of a number courtesy of SOPHIE and Flume. "Love Can Be…" features Damon Albarn, Kish, and Gorilla Zoe on the GTA-produced track that pops and jitters without ever evolving. A pair of collaborative team efforts boasts the highest-profile names on Theory, but one sticks the landing better than the other. Longtime collaborator and tourmate Kilo Kish joins Bon Iver on the standout "Crabs in a Bucket," while Juicy J joins Staples on the most traditionally big bass rap burst of the title track. beat music producer Zack Sekoff, electronic duos GTA and Christian Rich, Detroit glitch artist Jimmy Edgar, SOPHIE, Flume, and more. Here, Staples assembled a studio team comprised of L.A. and DJ Dahi), without sacrificing any intensity or heft. Like a collision between the creative energies of DJ Rashad and DJ Spinn, and even the brightness of mainstream house from the likes of Disclosure, Theory finds Staples taking steps away from the ominous anxiety of the Clams Casino/Flying Lotus drone of his breakthrough Summertime '06 (produced primarily by No I.D. Continuing along the path of that set's "Big Time," Theory is a skittish thought piece wrapped around the nucleus of the Chicago footwork sound. Big Fish Theory followed 2016's excellent Prima Donna EP. Pharrell WilliamsApparently there’s a version with Diddy on it.For the third consecutive year, Long Beach rapper Vince Staples issued a standout effort that continued to push creative boundaries while deepening his lyrical prowess. We’ll be ignoring that, then…Tom Ewing: Robot gorillas used to feature weirdly regularly in very old school 2000AD stories, though I don’t remember any rapping over what sounds like old China Crisis chord changes: who says there’s no innovation left? There’s an increasing whiff of pointlessness about all this voco-rap stuff, though, as is par for the course, “Echo” is jolly pleasant, and nobody ever went broke playing the gentle giant card.Michaelangelo Matos: I like how straightforward the lyrics are on this: at first I thought it was just 808s and Heartbreak redux, but while Zoe’s persona here may have fewer angles than Kanye’s, I know which one I prefer relating to.Hillary Brown: Um, I’ve listened to this 15 times in a row, and I’m not tired of it yet.
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